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T H E L O O P

thamanis

M U N I C I P A L M U S E U M O F C O N T E M P O R A R Y A R T

Anna Meyer

Anne Weisser

Isil Ceren Tur


The shape of our design proposal, "the Loop", results from the most

common urban structure, that is to find in the Center of Patras: The

block structure with a courtyard. By lifting the North-East corner of

the structure to a third level, just like Lina Bo Bardi did with one part

of the São Paulo Museum of Modern Art, we apply the concept of

the three different height levels to the municipal museum of

contemporary art in Patras.

The main entrance is situated at the lowest level, where the visitor

enters a Foyer, that is not only horizontal but also vertically located

in the South-East tower. From this point, one can already have a

view onto the design's representative stairs. The staircase's shape

reminds of the mountain view one gets to enjoy from all over the

city. It follows the direction of the two long sides of the structure

and creates a linearity that affects the whole inner organisation of

the building. Also, there is a side entrance from the square level

leading directly onto these stairs and another one providing access

to the Bar + Café usage in the North-West tower of the proposal.

From the Foyer, the visitor would leave the public part of the

building and gets to enter the Main Gallery in the second floor.

Then, entering the second tower, there is public usage again and

one could take a break in the Café at floor 1. Afterwards, one

would move down to visit a Temporary Exhibition at 1.5, and then,

finally move on to the second part of the Main Gallery, which leads

to the main public area again.

This endless movement creates the name of the design "The Loop".

The facade, in the end, is another result of the buildings different

usages: Windows do only exist in form of post and beam facades in

the towers. This way, the mountain shaped staircase can also be

seen from the outside. On the other side, in the North-West tower,

there are openings to the necessary staircase, already giving an

idea of access from the outside. Further openings are located on

the North and West walls, providing the inside with daylight.



































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